Category Archives: Mani

Mapping the Leigh Fermors’ Journey Through the Deep Mani in 1951

Major waypoints that the Leigh Fermors visited during their trip through the Deep Mani.

Major waypoints that the Leigh Fermors visited during their trip through the Deep Mani.

I don’t recall precisely when Chelsea Gardner first contacted me about this project but it was probably in 2018/19. It is wonderful to see that they have finished this work of love and dedication, but also one that tries to be true to the routes and methods used by Paddy and Joan as they made their way around the Deep Mani in 1951.

There is a fascinating interactive map of the route here.

This is the work of Rebecca M. Seifried, Chelsea A.M. Gardner, and Maria Tatum, and was published online by Cambridge University Press on 26 April 2023.

The abstract states:

In the summer of 2019, members of the CARTography Project set out to re-create the route that Patrick and Joan Leigh Fermor took during their first visit to the Deep Mani in 1951. The project involved meticulously analysing the couple’s notebooks and photographs to glean details about where they had ventured, using least-cost analysis to model their potential routes and ground-truthing the results by walking and boating the routes ourselves.

As in much of rural Greece, Mani’s topography has changed substantially in the seven decades since the Leigh Fermors’ journey, with paved roads having replaced many of the Ottoman-era footpaths that locals once relied on for travel and transportation. While the transformed landscape we encountered prevented a complete re-enactment of the Leigh Fermors’ journey, it also offered an opportunity to embody key parts of their travelling experience. The results of our study are twofold: first, a detailed map of the route the Leigh Fermors followed based on our reading of their documentary sources; and second, an assessment of the utility of using least-cost analysis to model the routes of historical travellers.

Vist the Cambridge University Press site here.

Download and read the PDF report here.

Swish! Swish! Swish! podcast read by Dominic West

The ruined Maniot tower village of Vathia, Deep Mani, September 2021. Copyright Tom Sawford 2021

Many of you enjoyed reading the short chapter written by Paddy for inclusion in a Greek version of Mani, but not published elsewhere until it was “discovered” this year.

The LRB have now managed to secure Dominic West to read the piece for a podcast which I hope that you will all enjoy.

Listen to Dominc West read Swish! Swish! Swish! here.

Read Mary Beard’s 2013 review of Mani and Roumeli from another LRB article here.

My roots burnt with Greece

A team of firefighters from Serbia tries to extinguish a wildfire in the village of Glatsona on the Greek island of Evia. Photograph: Angelos Tzortzinis/AFP/Getty Images

We have all watched the wildfires around the globe with some degree of horror and awe this summer, perhaps even real trepidation about the future of this warming third rock from the sun that we inhabit. As I think about a trip to the Mani later this year, my thoughts have also been about what we might find there; will the hills around Kardamyli be fire blackened? How will things have changed? This moving article by David Patrikarakos gives us some idea of the impact beyond the dreadful burning of forests. It speaks of the personal impact, and how close things have come to places many of you know in the Mani.

By David Patrikarakos

First published in The Spectator

On 11 March this year my father passed away from prostate cancer after several weeks in a hospital in central Athens. As we sat around his bed, I remember thinking that I was watching 3,000 years of Greek history slowly perish before my eyes. My father was an only child, and I am British. His line of Greeks is at an end.

Now fires have ravaged Greece and the olive trees that stood in my ancestral village for centuries have burnt to the ground. This year has seen the almost literal burning away of my roots: because if I am British, I am also a Greek — of sorts. This much is inescapable. My name is Patrikarakos, Pa-tri-ka-ra-kos, which falls — like a slab of Cycladic marble — between me and those I meet. So luminously foreign, so palpably un-English. I remember as a child reading that Ian Fleming had chosen the name James Bond for the main character of a spy novel he wanted to write because its two blunt monosyllables were, he said, ‘brief, unromantic, Anglo-Saxon and very masculine’. What then of my endless syllables and vulgar vowels, which fuse together in ululating cadences, and sound so alien — and presumably feminine — to British ears?

If my name screams ‘foreign’ to the British it signals something else to Greeks. Its stem — ‘akos’ means only one thing: that I originate in the Mani, a region of the Peloponnese in southern Greece. The origins of the word ‘Mani’ mean ‘a sparse and treeless place’ — and it’s apt. The land is hot and arid, the terrain mountainous and inaccessible. It was only relatively recently that a road able to reach many of its villages was built. Previously they had been accessible only by sea.

The people, who claim descent from the ancient Spartans, are notoriously ungovernable. Mani is home to vendettas. For centuries families killed each other through the generations over long-forgotten disputes. When my father died, we pondered what to do with the old family rifle that had been passed down to him. It was beautiful: rich brown wood married to deep grey metal. I had visions of it hanging on my wall, speaking to a history that, though distant, is not forgotten. I called a contact at the police to check out the legality of this.

‘Hmmm,’ he told me over video call, scratching a stubbly chin. ‘Theoretically you need to take it to a police station where they can confirm it’s been decommissioned and then register it.’

He paused. ‘The thing is… this is from the Mani, right?’

I replied that it was.

‘Yeah, the problem is that every so often we get a gun in from there and it turns out to have been used to shoot someone in a vendetta years ago, which causes no end of problems. I’d just bin it if I were you.’

I binned it.

Since ancient times Maniots have been pirates and warriors — impossible to enslave. The Mani is mentioned in Homer’s ‘Catalogue of Ships’ in the Iliad, while the Maniots supplied Augustus with troops for his battle with Mark Antony and Cleopatra at Actium. During the Greek war of independence against the Turks, the Greeks emblazoned ‘Freedom or Death,’ on their flags. The Maniots, though, replaced ‘Freedom’ with ‘Victory’ because, of course, the Mani had always been free.

If the Mani is famous for war, it is also famous for its olive trees. Mine were in my ancestral village of Skamnaki — the name means little stool — in the region’s east, close to Gythion bay in the plateau between mount Taygetos and the sea. The olive groves stood among some fields down a slope not far away from the thick stone house that my pappoús, my grandfather, and his family grew up in.

Their loss has scarred the entire village. Some are inconsolable; these people grew up in the shadow of trees that are now reduced to ash. For Maniots, olive trees symbolise a deeper emotional relationship with place: if the Mani is unconquerable, it is in large part thanks to its olives, through which the people could trade and feed themselves. Mani’s famous independence is inseparable from its trees. When enemies want to hurt the region it is the trees they attack. During the 1821 war of independence, Ibrahim Pasha ordered his army to burn several Mani villages to the ground, torching the olive trees in each one. The local population starved to death.

Patrick Leigh Fermor, the English travel writer who lived in Mani, talks about the importance of the olive harvest there. ‘Each tree has its personality,’ he tells us. ‘Every branch and knot and hole is familiar, and to damage one is an unlucky, almost a wicked act.’ This is because if the trees mark this land they also demarcate its people. Maniots are not Cretans for many reasons, but not least because they don’t beat their olive branches to make the olives fall as Cretans do — they don’t want to bruise the trees. They have a deeper connection with them. They know that trees surround their houses, their buildings, their churches.

And if the trees sit at the heart of community life, they have also powered social progress. For years, women were barred from taking part in almost all activities outside of the home except for the harvest: then they would put on old clothes and go out into the groves with the men and children. Everyone understood this relationship, which was clear and synergistic. The people tend the trees, and in return the trees give them olives — the source of life.

In the end, we cannot escape our roots. Here, it is the roots of the trees that sit deep in the ground, anchored to the soil and the story of families. Every Maniot understands that their history is interwoven with the olive trees — the two sets of roots perennially intertwined, indivisible from the land. It is something that I too now finally understand — if only in their demise. The fires in Greece have meant for me, not just the destruction of some vines but a rupture with history itself, and for my family, they have meant that once again we will come together this year to mourn death.

Swish! Swish! Swish!

Paddy’s observations on the Mani olive harvest, the war stories of old men, and where to find the best olive oil! A Paddy original recently surfaced. 

By Patrick Leigh Fermor (unknown provenance sent to me by a friend)

‘Where are you off to? Sit down.’ One of the two cheerful old men, who were smoking crosslegged under the branches, patted the ground beside him. Silvery vistas of gnarled and half-hollow olive trees opened fanwise all round them and there was a cicada grinding and scraping on every branch. A donkey under a wooden saddle grazed a little way off, trailing his long rope through the stubble. A wide hat with green muslin sewn to the brim lay beside one of the old men, and a rusty tin smoke-gun, fitted with primitive bellows that beekeepers fuel with dried dung. He was on his way to his beehives: one of those rows of faded blue wooden cubes that one sees high up in the heather in the summer months.

When I was beside them on the ground and about to light a Papastratos No. 1, the mule owner said: ‘Put it back, boy. Try one of ours from Kalamata.’ I took a Karelia from his packet. He lit it with flint and steel and a long yellow wick and I lay back in an aromatic cloud. It was a baking day with long needles of sunlight piercing the brittle shade of the leaves. The Deep Mani! It had never seemed hotter.

The beekeeper took a pitcher of water out of a little cave among the roots and passed it. I took a long pull of water from the cool and clammy vessel. ‘There’s nothing worse than thirst,’ he said, putting it back. ‘I’ll never forget when we were fighting the Turks on the river Sangarios, the day we captured the mountain of Çatal Dag – you remember, Petro?’ Petro nodded. ‘The confusion was terrible! Our chaps here, the Turks there, dust and smoke everywhere. Dead men, dead horses, wounded men, everyone covered with dust; caps, helmets, fezes – all lost, everything all over the place and upside down! It was a hot August, just like today. And thirst, po, po, po! Never ask! One of our boys who had lost touch with his company, suddenly spied a spring up the mountainside. He ran and flung himself down and started to drink. Then another one arrived and lay down beside him. They made room for each and went on drinking. When they had drunk their fill they sat up and looked at each other with a sigh of contentment. Suddenly our boy realised that the other was a Turk! Panayia mou! A young infantryman, just like him! And, at the same moment, the other realised he was sitting beside a Greek!’ He paused. ‘Just think! A Romios and a Turk, side by side! And the battle still going on all round them. Cannons! Horses! Flags! Shouting! Sabres! Bayonets! Bugles!’

‘Yes, but what did they do?’ The tension was intolerable. Barba Stavro’s eyes were twinkling in their lined sockets.

‘The whistle of bullets – we still had the old-fashioned single-shot Gra rifles then – orders and counter-orders shouted in both languages … mortars, shells, explosions! Wounded and dying all over the place.’ He clicked his tongue. ‘War is a terrible thing!’

‘But what did they do, Uncle Stavro? You are torturing us!’

‘Especially with modern weapons, amán! amán!’ He was gazing into the distance, pensively twisting his white moustache with his forefinger. ‘They say the atom bomb – my granddaughter read me all about it, from the Kathimerini – the last atom bomb, I mean, that they exploded at – what’s the place called? Bikini? – in the Pacific Ocean.’

I seized him by the knees. ‘Yes, but what did they do?’

‘Who? Ah yes, our chap and the Turk … I’m glad you asked …’ There was a long pause. ‘Well,’ he said, taking pity on us at last, ‘they did exactly what you or I would have done. They jumped up and ran away from each other as fast as they could!’

We all laughed. In Albania, in 1941, I asked an old friend what the retreat in Asia Minor had been like, and without hesitation, he said: ‘Like the retreat of the Grande Armée from Moscow, but with sand instead of snow.’ One catches the atmosphere in a flash. It is from the uncomfortable, the haphazard, the comic, that one learns what things were really like.

I wish Anna Comnena had possessed a single spark of these old men’s spirit. But Byzantine chroniclers lacked this blessing: hieratic formality and a slowly fossilising language stifled it; it was beneath their dignity. If Barba Stavro and Barba Petro had been there in 1259, when the Byzantines beat the Frankish army at the Battle of Pelagonia, it would be more than just a date. They would tell us about a Burgundian baron’s charger casting a shoe, or a squabble between two Thracian archers over a plate of beans, and all would be different. Xenophon had the life-giving gift; so did Makriyannis. These old Maniots idling the morning away with me under the hot leaves had it to a supreme degree. The bell round its neck clanked every time the donkey moved to a new patch of stubble, while we were marching in imagination with the Peloponnese Division all over Asia Minor.

These marvellous old men abound, but they will be getting scarce soon. I mean the ones who, in about 1912, received ten years of wars as a coming-of-age present: unambiguous, self-reliant, upright, humorous and philosophical men; weathered by a thousand hardships, and often illiterate, they are equipped with an intelligence that leaves their native simplicity intact. It was in Crete that I first came across these indestructible old men, with their white moustaches and their clear eyes; and, later on, all over rustic Greece and the islands. They gave one a hint of what Kolokotrones must have been like. Nestor, perhaps.

Until that morning, the Asia Minor campaign, which had ended thirty years earlier, had always seemed as remote as the Anabasis. Now, it might have ended last week. Their reciprocal memories egged each other on: the laundry lost in the Meander river … the deaf lance-corporal in Ortaca … Trouble with the town commandant of Süsürlük … Leave overstayed in Smyrna … The over-zealous sergeant-major at Ushak and the confusion caused by his orders, given in mangled Katharévousa.

The tale of a calf ‘acquired’ by a hungry platoon before the battle of Afion-Kara Hissar reminded me of another I had heard a couple of weeks before in the Outer Mani; it had been told me by the hero of the anecdote, who had been on sentry duty at night in a trench as a newly arrived recruit in the Halka Bunar line, in front of Smyrna. I repeated the story: how, all of a sudden, through the darkness, he had heard steps drawing closer from the direction of the Turkish front line. Perhaps it was the spearhead of a night attack! (No password! It couldn’t be one of our night patrols. No answer to my challenge; so I fired. Down went the enemy!) Alerted, the whole front stood to arms, fire broke out all along the line and continued till daybreak, when the raider turned out to be a donkey which had strayed between the two armies. (‘I know the man who told you this!’ Petro said. ‘I’m from the Outer Mani too.’) ‘Ever afterwards,’ the storyteller had concluded, ‘the whole regiment used to tease me about being the heroic donkey-slayer.’ I didn’t tell the story very well, but they laughed politely; and as I finished, the donkey grazing nearby let out a series of desolate brays. Barba Stavro put a finger to his lips: ‘Quieter, Mihali,’ he said. ‘He heard you.’

After a moment, Barba Petro went on. ‘Some people think trees can understand what we say. They like company. At least they like being close to human beings.’ It was an interesting idea. I suggested that it might limit conversation: one didn’t want to corrupt our benefactors. ‘They don’t really hear us, of course,’ he went on. ‘It’s because the trees near to a house always do best. It’s probably all the dirty water the women throw out of the doors, and the mules and donkeys tied up under the branches. Chickens, ducks, pigs, it all helps … And another thing: the trees talk as well as listen!’ He laughed. ‘Do you know what an olive tree says to its master, to help him get a good crop? No? Well, first it says: “When you plough me, you caress me.” Later on in the year it says: ‘When you manure me, you ask me a favour.” But at harvest time it says: “When you prune me, you command me!”’

Throughout this peninsula the olive tree reigns unchallenged. All life revolves round them. They are treated with respect and love: the respect that is accorded to sovereigns and the love that is bestowed on one’s family. Each tree has its personality: every branch and knot and hole is familiar, and to damage one is an unlucky, almost a wicked act; when a plan for the building of a new road or the widening of an old one condemns thousands of them to death, the grief is deep and general. On the eve of such a slaughter I came on a woman wandering among her olives. She had come to say goodbye. ‘They won’t be here tomorrow,’ she said, laying her hand on the rough bark, dry-eyed, but only just. ‘Twenty of them are coming down. I’ve known them since I was a little girl. They were my dowry.’ Next day the destruction began, and on the day after, kilometres of trees lay uprooted to make way for another broad band of asphalt to tear its way through those once silent groves.

I asked my companions how the olives were gathered: did they beat them from the branches with long reeds or poles, as I had seen it done in Crete? They were horrified. Beat them down? Only from the lopped branches on the ground. On the tree itself they were all picked by hand, to avoid bruising the twigs and the shoots: a long task. ‘In some of our Outer Mani villages,’ Barba Petro said, ‘they have started using an instrument like the comb people have for carding wool after the sheep-shearing – it’s just a bit of wood with some nails through it, really, and a handle. It does the work in half the time. You just comb the branches.’

‘Is that so?’ Barba Stavro was as impressed as though he were learned of the discovery of steam power for the first time. When they had discussed it in detail, he turned to me and said: ‘You must come back when they are gathering them. It’s a fine sight.’

I have seen it now. After the first brief rains a note of preparation runs through the Mani; the whole atmosphere begins to change. The blacksmiths hammer away at the great containers which have replaced the old amphorae, and in the olive presses you hear the first trial thumps of the engines which now do the work of the blindfold circling mules. Spraying has delivered the crop from the onslaught of the dacus fly. But the autumn sky has returned to its summer emptiness: ‘Will God rain on us?’ the question goes up. The clouds which at last assemble along the crests of the Taygetus resemble the sails of a relieving fleet after a long siege. At last the first drops fall on the dust like dark scattered stars that soon join and overflow in puddles. By the time it ends, young grass has sprung up in a haze between the tree trunks; sea-squills expand their dark spikes, cyclamen are sprouting among the rocks; and the branches, which have steadily been losing their angular distortion, droop in semicircular arcs under the weight of their berries, like the trees on a willow pattern plate. All has been washed clean and all that the dust and the distance veiled through the hot months leaps forward in glittering detail. Now and then a light wind travels through those thousands of trunks and lifts the pointed leaves so that the silver undersides flicker and flash in the thin November sunlight as though a shoal of millions and millions of fish, prompted by a subconscious mass decision, were changing direction. The ripple dies down and all is still again.

A few mornings later there are sudden voices among the trees after a whole year of silence and the olive groves fill up with figures and animals. Great rectangles of sacking, helped out by a bright blanket here and there, are spread out under each tree in turn like rafts of colour. Ladders ascend into the boughs, the figures group and regroup, men shout from the branches and the women, standing about or sitting in a ring below, beat the lopped and fallen twigs with sticks. The unflagging swish! swish! swish! is the predominant sound all through the harvest. The olives that patter on the cloth like rain are piled in pyramids; children who are too young to be left alone in the empty village chase each other between the trees; dogs bark, mules nibble the new grass and white goats tear the leaves from the stripped twigs that cover the ground.

The women wear their oldest clothes. They are patched again and again, and except for dark pleats and folds that retain their earliest colours, have been faded by the sun and bleached by a hundred washings to pale harmonious hues. Similar groups are assembled in the great level groves; they are scattered on the ascending ledges of terrace that climb until the last trees disperse among the high rocks like puffs of gunfire. The groups, the colours, especially those on the ledges of the perpendicular mountainside, compose themselves like the biblical scenes frescoed on church walls; almost – with the seated and standing figures, the waiting animals and the criss-cross of ladders – into crucifixions infinitely reproduced, except that all is cheerful here. Then men plying their small curved saws at the top of the ladders engage the women beside and beneath them in banter; flocks of girls perch invisibly in cages of leaves. Their songs drift charmingly along the groves. Loaded with bursting sacks and goaded by the cheerful blasphemies of their drivers, strings of mules labour through the dappled light and shade down the lanes to the olive presses; the throb of their engines has suddenly become the heartbeat of all the villages.

Everything gathers here. Animals stamp and neigh and collide and rear, swift hands disentangle them; strong backs are bent double under the sacks. Greetings are shouted and gossip has to be exchanged in voices of thunder to overcome the din of the engine and the roar of the great turning stones. Each peasant watches his cataract of olives poured into the wooden jaws; and when at last the pale jade-green jet of the first oil gushes from the spout below, he dips into it a piece of bread and munches it, feeling the happiest of mortals.

These are private and local scenes, cut off from the outside world. Everyone who doesn’t belong here has fled long ago, at the same time as the swallows. (Not quite everyone, or these lines would not be being written.) One morning there is a confetti of snow on the high peaks of the Taygetus; in a day or two they are an unbroken white, a dazzling background to the oranges with which the village trees are now heavy. The harvesting goes on through the winter solstice until the cut twigs and branches cover the ground and choke the lanes. The aromatic smell of bonfires drifts through the clipped and lightened branches; plumes of pale smoke ascend into the bright air. At night the stars sparkle like icicle splinters. Then the cypresses shudder in anticipation, and the wind comes and drenching rain. Tremendous waves roar up the inlets like an invasion to boom and echo in the caves with which the whole coast is undermined. The waves soar along the cliffs, opening in fans that cover the headlands and offshore islands with canopies of water and foam, to collapse and fall back with a gasp of pebbles. The onslaught reverberates through towers and archways and rooms like the sound of a battle offstage. Nowhere does one feel more cogently the succession of the seasons and the tilt of the earth’s axis. By now every house has its new oil stored in giant containers; the household is safe for another year. The windowpanes are streaming. The stripped trees stretch their roots through the soaking dark red soil; their torpid subterranean energy will cover the branches again by Easter with millions of pale, minute and star-like flowers.

But a shadow falls over these scenes, a small one during that summer day years ago while Stavro and Petro were talking; longer now. For the flight from the Mani continues, and each year the population that gathered the olives grows less. Sometimes, to replace them, troops of women come down from Western Thessaly, strange and fascinating costumes appear in the lanes, the Karagouni accent is heard, even a phrase or two of Koutzovlach. But they are no solution. The great flocks have already vanished from the high summer pastures of the Taygetus. In the north, the brushwood folds of the Sarakatzans, their customs and costumes, and their conical wigwams – those last surviving symbols, perhaps, of the most ancient Greek way of life in the country – have vanished from the Zagora ranges and the Agrapha, and the bells of their flocks sound fainter and fainter every year. Are the olives of the Mani to follow? Some pessimists think so: ‘Where are the hands to harvest them?’ they ask. Where indeed? Ask in Kalamata and Athens, ask in Essen and Düsseldorf, in Duisburg and Cologne and Friedrichshafen, in Melbourne and Adelaide and Sydney; ask in Toronto and Montreal …

Will the day come when the best oil on the planet ceases to flow; when the silver cord is loosed, as in the last chapter of Ecclesiastes, and the grinders cease because they are few and the doors shall be shut in the streets?

The best oil on the planet. Stavros and Petro had no doubts about it. We all agreed that Greek olives were the best. I said, ‘What about Amphissa?’ They turned on me with pitying tones. No, no. The Mani was the place. But where in the Mani? ‘Here!’ Stavro said. His forefinger, which was as hard as a goat’s horn and nearly as wrinkled, gave the ground a gnomic tap. Then he gathered his beekeeping gear and got up, stretching himself and yawning. ‘We’ll go home and try some. And swallow an ouzo or two to revive us after our labours.’ We all laughed; we were streaming with sweat, but not from toil. We had lain there talking for more than three hours. Petro collected his mule, which had wandered away some distance.

‘Stavro,’ he said as we set off. ‘Deep Mani olives are good. I’m not saying they’re not. But the best are the ones in the Outer Mani. The whole world knows it. It’s not just because I come from those parts – far from it. But it’s everybody’s opinion.’

‘So be it,’ Stavro said. He gave me a secret dig with his elbow and the ghost of a wink. I asked Petro where the best in the Outer Mani come from. ‘From Liasínova,’ he answered without hesitation. There was a scarcely audible chuckle from Barba Stavro. I asked Petro where he came from. ‘Me? You mean where do I come from?’ Then, in airy tones of slight surprise at the unexpected coincidence, he said: ‘From there. From Liasínova, that’s to say.’

It was a splendid illustration of local prejudice. But now, after many years and mature consideration, I think there was a lot in what he said. Certainly, the best olives in Greece come from the Outer Mani; and definitely from the region of Liasínova. But from Liasínova itself? I think a truly impartial and objective opinion might place the actual pinpoint of unsurpassable excellence a little further down the coast – only three or four kilometres away. More towards Kardamyli, perhaps.

Editor Note: Since publication some of you have come forward with ideas about the source of this. I like the one from Pietro Basile best:

Hello Tom,
here’s the current source for Swish, swish, swish.
Apparently it was written for a Greek edition of Mani but never published.
No mention of who found it, but great piece, if one actually actually knows Greece.
My guess is that he wanted to have it it included as a special homage to his area but whoever was the editor thought it was a bit corny…
Regards,
Pietro

A reading from Mani: In the Footsteps of Patrick Leigh Fermor

The travel firm Kudu Travel runs walking holidays, with some in the Mani. They are fans of Paddy! Here one of their guides reads from Mani after a drive to Gaitses, high on the western flank of the Taygettus range at the edge of the Koskarakas Gorge.

After a pleasant, three hour easy walk following the route taken by Paddy and Joan when they emerged from the overgrown gorge, after their momentous crossing of the mountain. They visited the ‘handsome old church’ on top of a knoll, and the neighbourhood where they sampled their first glass of Mani wine, and listened to a reading.

Kudu’s highly rated footsteps of Paddy tour to the Mani is due to run 10-20 October 2020.

The Man of the Mani now on BBC Sounds

In 2015, the experienced BBC reporter and presenter, John Humphrys, hosted a BBC Radio 4 programme about Paddy’s life in the village of Kardamyli in the Mani, exploring his the life and work. The programme is now available (for how long I don’t know) on the BBC Sounds website. Maybe take half an hour this weekend to listen to one seasoned veteran talk about his passion for another.

At the time the BBC website introduced the programme thus:

Fermor is arguably the most influential travel writer of the 20th Century. At the age of eighteen he took off, with notebook in hand, on a walk across Europe. During the Second World War he fought in Greece and Crete, and is still remembered in the country today for his daring exploits with the resistance. His most celebrated action came in 1944 when he led a commando operation to abduct the German General Heinrich Kreipe.

In the early 1960s he moved to Greece, to the Southern Peloponnese. He built a house in the village of Kardamyli in the Mani. It was here that he wrote much of his most celebrated work and where he remained until his death in June 2011.

John Humphrys visits Fermor’s village to explore the influence that Greece had upon his life and work, and also to consider the impact that he had on the village and the people he lived alongside. John visits Fermor’s former home, now in the care of the Benaki Museum in Athens, and discusses the plans for its future. He meets those in the village who met Leigh Fermor when he first arrived in the 1960s – a man in his nineties recalls how they “danced on the tables into the night” – and he hears tales of influential guests, great writers like Bruce Chatwin and John Betjeman, even a King and Queen.

Accompanied by Fermor’s book ‘Mani: Travels in the Southern Peloponnese’, John Humphrys also travels into the deep Mani, one of the remotest, wildest and most isolated regions in Greece.

Visit the BBC Sounds website here for further details.

Exhibition – Painting the Southern Peloponnese: In the Footsteps of Patrick Leigh Fermor

Mount Elijah above Anno Boularii, Sundown

I have just been alerted to what looks like a marvellous exhibition of paintings running until 11 March in the Friends Room of the Hellenic Centre in London.

In October 2017 Toby Wiggins embarked on an adventurous trek over mountains and across arid plains to the sound of gun shot in the mornings and howling jackals by night. He retraced the path taken by one of the 20th centuries leading travel writers Paddy Leigh Fermor, who in 1951 walked the peninsula and later published his seminal work ‘Mani’. After his own odyssey, Toby returned home with a rucksack full of tiny oil studies of the places described by Paddy and in his studio he used these studies to make larger paintings, about which he says:

…they are an attempt to translate the sensation of being there, the texture of this harsh land; iron-like outcrops and intense blue skies. Then there are those moments when the harshness is transformed by intense, luminous colour into something altogether ethereal.

Profoundly influenced by Patrick Leigh Fermor and artist John Craxton, who illustrated Leigh Fermor’s books, the beguiling lure of this remote place, the southernmost tip of mainland Greece, is plain to see in the intense light, colours and textures that run through Toby’s works.

The exhibition is free to visit during opening hours, please call 020 7487 5060 to confirm (Toby advises to call first), but usually 10 am -5 pm. The exhibition opens 12st February and runs until 11th March.

To view the paintings on-line visit Toby’s website. Call Toby on 07939 661075 for more information.

The exhibition catalogue can be found here.

Location and contact details for the Hellenic Centre are here.

Royal Academy Schools trained Toby Wiggins RP is renowned for his highly-regarded portraiture. He has won awards including the BP Travel Award (NPG), the Lynn Painter-Stainer Prize for Figurative Painting and the Prince of Wales Drawing Award. His interest in landscape has spread from his native Dorset to this most austere, but compelling landscape of ‘Mani’, one of the wildest and most remote corners of Greece.

The romance of the past: that’s what drives the traveller’s impossible quest

‘Kardamyli now makes most of its money from tourism. It wasn’t as immune to tourism as Leigh Fermor imagined or wanted it to be.’ Photograph: Alamy Stock Photo

Writing in 1958 about the little Greek town that was eventually to become his home, the travel writer Patrick Leigh Fermor was satisfied to note that the Guide Bleu gave it only half a line. “It is better so,” Leigh Fermor wrote. “It is too inaccessible and there is too little to do there, fortunately, for it ever to be seriously endangered by tourism.”

By Ian Jack

First published in the Guardian

His next paragraph describes the town in early evening when, waiting for a freshly caught fish to cook on a grill, he and a few fishermen sit under a mulberry tree outside a taverna and watch the sun sink over the mountains. Caiques – the wooden working boats of the Mediterranean – rock gently “with each sigh of the green transparent water … tethered a few yards above their shadows on the pebbly bottom”. One of Leigh Fermor’s typically exact (and perhaps exacting) images follows when he describes the sea lapping over a flat rock “with just enough impetus to net the surface with a frail white reticulation of foam which slid softly away and dissolved while a new one formed”.

Some of these things still exist. The Mediterranean is clear and green and blue, and on a calm day it will rise and fall against the rocks as Leigh Fermor describes. The sun goes down as he depicts it. There is even a caique or two; and, of course, tavernas – more tavernas than ever. But in most other ways the township of Kardamyli in the Peloponnese is utterly changed. Charter flights land at the little airport in the regional capital, Kalamata, and from there a twisting, expensively engineered road takes taxis, hire cars and air-conditioned coaches over the mountains to a resort that has nice hotels, trinket shops and olive-oil boutiques, as well as pretty restaurants with tea-lights on their tables that look down on the sea. The usual story: Kardamyli now makes most of its money from tourism. It wasn’t as immune to tourism as Leigh Fermor imagined or wanted it to be, and the writer himself is partly to blame.

The tumbledown factory loomed on the shore, a picturesque ruin in brick and concrete where fig trees grew. First, he published an account of his travels in the southern Peloponnese, the peninsula known as the Mani, which was then not much visited, and invested it with the beauty and mystery of a place and people that the 20th century had passed by. Then, six years later, in 1964, he bought a plot of land there – in a bay to the south of Kardamyli – and built a beautiful villa that he lived in almost to the last day of his life, in June 2011. Today his books are available in at least three languages in the local bookshop. People go there because of him – to experience similar sights and sensations to those he saw and felt, even though they understand this can never be completely accomplished, the world having moved on.

But was it ever quite as he described it in the first place? Leigh Fermor’s view of the Mani was essentially romantic: there are few better describers of landscape, but it’s a landscape with omissions. His first sight of Kardamyli is of an enchanting, castellated hamlet at the sea’s edge, where towers, turrets and cupolas rise above houses built of golden stone. “It was unlike any village I had seen in Greece,” Leigh Fermor writes in a page-long depiction that somehow ignores the village’s tallest manmade attribute: the factory chimney of the old olive-oil works. This is difficult to miss. Look down on Kardamyli from almost any vantage point and there it stands, its bricks pale against a background of blue sea and rather more noticeable than the towers and the turrets lying further inland among the cypresses and the olive groves.

The towers date from the age of banditry, feuding clans and resistance to the Ottoman empire. The chimney has cleaner and more peaceable origins. This month I lived next door to it for 10 days in a fine little hotel, and swam morning and afternoon from a ladder bolted to the rocks. The tumbledown factory loomed on the shore behind, a picturesque ruin in brick and concrete where fig trees grew and rusting pipes sprang from the wall at odd angles. A high fence surrounded it, with warnings to keep out.

Olive oil had once been made here – not virgin, cold-pressed or estate bottled, but the roughest kind, which goes into soap. Some accounts online suggest it was owned by the Palmolive company (and when I read this I understood, for the first time, how that familiar name had come about); others say a local family were the proprietors. It used olives – and the residues left from edible oil production – from as far away as Crete, shipped to a concrete pier nearby whose size was inexplicable unless you knew its original purpose. It was said to have employed 150 workers, with steam machinery that, as well as operating its crushers, had the spare capacity to supply the village with its first electricity. Opened in 1932, it closed in either 1958 or 1975 – local memories differed – when new techniques of oil production made it redundant. Since then, a dispute among the site’s three or four owners had prevented demolition or development.

I liked the chimney; three stepped rings of brick, progressively larger in diameter, gave its top a decorative flourish. But then, I’ve always been fascinated by factory chimneys of all kinds, for reasons that I’ve never really examined, the most important probably being that I spent some of my childhood among them: the great smoking verticals of the Lancashire plain, formerly beloved of geography textbooks as the illustrations to the chapter on the textile industry. To find them situated outside what might be considered their natural homelands – the old industrial towns of northern Europe and North America – is always a surprise. They look solitary, like isolated monuments to a faraway and not properly understood revolution. One still standing on the coast of Argyll marks the site of a Victorian factory that made acetic acid from the oak and birch wood. Another on the Ionian island of Paxos served the same kind of mill as Kardamyli’s.

Smoke was most probably still drifting from the Kardamyli chimney when Leigh Fermor reached here in the mid-1950s, but he can hardly be blamed for omitting it from his picture. Like many travellers in our age, he had a distaste for modernity. (He hated radios, for instance, and was relieved that the Mani had so few of them. “Rabid wirelesses should be hunted out and muzzled or shot down like mad dogs.”) He travelled to reach some agreeable form of the past, which has been a motive for the holidaymaker since the days of the Grand Tour.

On an afternoon last week in Kardamyli, I climbed up the ladder from the sea to find three or four men inside the factory fence inspecting the ruins. One wore a pith helmet and carried a theodolite. Another unpacked a drone from its box and directed its flight to the chimney, which it hovered above rather threateningly. It looked as though change was in the offing. I’d known of the chimney for less than a week – and, really, what was it to me? But already I felt a slight alarm that it too might pass, just like the fishermen who watched the sunset with Leigh Fermor from underneath a mulberry tree.

Painting Paddy’s Greece

Gerolimenas by Katyuli Lloyd (Source: Oldie magazine Aug 2017)

Some readers have advised me that there is an article in this month’s Oldie magazine by Katyuli Lloyd about her meeting with Paddy, and her work on the illustrations for Folio editions of Mani and Roumeli.

An example of her work is above and I’m pretty sure that’s Gerolimenas on the Mani, a place where I stayed on holiday last year.

You can access the article here online by subscription or if in the UK you ocan probably buy the magazine from your local newsagent.

Following Michalis in Mycenae

13694300_10105313766032178_664315251_oSoon I will be travelling to the Mani and will make my first visit to Paddy’s house, something that is rather belated, but an experience that I am looking forward too very much. My friend Ryan Eyre from Seattle has been on a long trip to Europe this summer. Not long after he stayed with me here in Winchester, he travelled to Greece and found himself in historic Mycenae. What he discovered was a virtually moribund tourist industry, and an interesting story about Patrick Leigh Fermor.

By Ryan Eyre

On a recent visit to Mycenae, the Oreia Eleni Hotel seemed the obvious place to stay. The Oreia Eleni, also known as La Belle Helene and the House of Schliemann, is a simple hotel but rich with historical associations. Heinrich Schliemann lived in the building during his excavation work at Mycenae in the 1870s and a generation or more later it was converted into a hotel. Agamemnon Dassis is the current proprietor and is the third-generation of his family to run it. He lives in a house next door with his wife and young daughter. A youthful looking man in his late 40s, Agamemnon is an energetic and quite attentive host.

Mycenae is one of the most visited archaeological sites in Greece but Greece’s economic woes have definitely affected business in the modern village half a mile below the citadel. The number of tourists has declined in recent years and most people who currently visit Mycenae do so as a day-trip and pass through the village without stopping. The owners of the almost empty shops, restaurants and hotels in Mycenae sit rather forlornly, waiting for customers who largely never appear.

I was the only guest at the Oraia Eleni during my two-night stay and Agamemnon told me that I was in fact the first guest they had had in three weeks. This was in July. As a guest, I benefited from being able to talk to Agamemnon at length.

The second day of my stay he showed me the small museum that is on the ground floor of the building. Agamemnon’s father photocopied famous people’s signatures from the guestbook and they are displayed in note-card size form behind glass. He pointed out the signatures of Agatha Christie (I was staying in the same room she supposedly did), Virginia Woolf, Stephen Spender, Carl Jung, Jean-Paul Sartre, Alec Guinness, Charlton Heston and J.K. Rowling (among others) and provided some anecdotal information about each visit. I was interested to note that Albert Speer, Heinrich Himmler, Joseph Goebbels and Herman Goering all passed through in the 1930s (it was unclear whether they visited separately or together).

Up to that point Patrick Leigh Fermor’s association with the hotel hadn’t crossed my mind. Thinking about it for a moment it seemed obvious he must have stayed here. I asked Agamemnon whether Leigh Fermor’s signature could be found anywhere on the display. “Oh, yes, I forgot to mention him”, Agamemnon said before pointing out PLF’s name scrawled in his own and dated from 1960.

“He came here many times over the years. He came in the 1950s, and in the 1960s and many times afterwards I remember when I was a young man he telephoned and asked me whether I was George. I said no, I am his son. Who is this? This was in Greek but I could tell from the accent that it was a foreigner. He said, tell George that Michalis from Kardamyli called. I was a little confused. Later I met him. As I said, he came here a number of times. I also visited him in Kardamyli. One time when his wife was in England he came and stayed for a week. He was a great man, a very great man. I last saw him in 1998. When I came back here in 2007 after some years living abroad I did not contact him before he died. I regret this.”

I didn’t immediately tell Agamemnon my own story about meeting Patrick Leigh Fermor in Kardamyli in 2009. That evening at the dinner table and after drinking an ouzo and some wine, I asked him to sit with me because I wanted to tell him something. I began to recount my last trip to Greece when I had gone to the Mani to try to meet the author, who was then 94 years old.

“You met him in the end?” Agamemnon asked before I could go on much further. I told him I had written PLF a brief letter that I had dropped off at his house and ended up being invited to lunch the next day, where I spent several hours drinking, eating and talking with the great man.

I acknowledged I was extremely lucky. Agamemnon agreed and opened up more. He told me about how Paddy would come to Mycenae and disappear for the entire day, only returning at night. Paddy didn’t tell people he was a famous writer; Agamemnon only discovered this on his own.

Paddy was pretty self-deprecating and didn’t take himself so seriously. He was happy to talk to all sorts of people and showed genuine curiosity in their lives. “He had this constant curiosity about people and the world. That’s why he lived so long,” Agamemnon remarked.

He told me about various friends of Paddy’s who have stayed at the Oraia Eleni and that the Patrick Leigh Fermor Society had also passed through in the last two years.

Moving into more salacious territory, he then told me that he was going to tell me something about Paddy that most people haven’t heard. He didn’t have the heart to tell the members of the PLF Society when they visited. Agamemnon asked me to keep it off the record so I can’t fully disclose what I heard. What I will say is that it was an anecdote that I have very reason to believe is true and confirms that well into his 70s Paddy was sexually active with women who were not his wife and were considerably younger than himself. Agamemnon and I agreed that Paddy’s mixture of looks, charm and erudition was remarkable. “He really had the mentality of a teenager,” Agamemnon added.

Drinking wine and hearing these stories as the only guest in an atmospheric place gave me the thrilling feeling of luck and leventia, or feeling of lightness, that Paddy would refer to in connection with Greece. It was an evening that reminded me why I travel.

Walks amid the watchtowers of the Mani

An early 19th-century watchtower, now the Tainaron Blue Retreat guesthouse, overlooking the coastline of Cape Matapan

The most recent of quite a number of articles about visiting the Mani that I have seen of late. This being the best, written by William Dalrymple.

First published in the Financial Times, 28 August 2015.

I first came to the Mani through the pages of my literary hero and travel writing guru, Patrick Leigh Fermor. Paddy, who was once described by the BBC as a “cross between Indiana Jones, James Bond and Graham Greene”, published Mani: Travels in the Southern Peloponnese, in 1958. It was the first non-fiction book he wrote about Greece, and in many ways it is his most passionate: a love song to the middle prong of the trident-shaped southern coast of the Peloponnese. This was the place where he had been happiest, and the destination he would eventually pick in which to settle down, and spend the final years of his life.

For Paddy, the Ottoman Mani was to Greece what Cornwall was to 18th-century Britain: the most remote of places, cut off from the rest of the country by distance, unpredictable tides and wild cliffs, the abode of brave brigands, chivalrous smugglers and gentleman pirates. It was, he liked to point out, the southernmost point of mainland Greece: only a few islands intervene between Cape Matapan, the tip of the peninsula and location of the cave which the ancients believed to be the Mouth of Hades, and the shoreline of north Africa.

Many years later, shortly before his death in 2011, I went to stay with Paddy at the house he built in the Maniot village of Kardamyli. His villa was the most perfect writer’s house I have ever seen, designed and partly built by the man himself in an olive grove a mile outside the town, and with a view out to a small coastal island. Each morning, until a heart bypass prevented him, he would swim around the island, before returning home for breakfast.

Since Paddy’s death, however, the house has been given to the Benaki museum in Athens, and on my most recent visit I could only drive past it with a melancholic wave. Instead I headed on a further 90 minutes southwards, past tavernas hung with vine trellising, past chapels with red pepper pot domes, through stripfields and a patchwork of walled olive groves. These lower slopes rose to steep and arid hilltops, and it was on one of these, above the whitewashed village of Kotronas, that lay the beautiful house where I would be staying. It dominated a blue, mirror-like bay on the south-east coast of the peninsula and it was here, watching the ships come and go below, and with the mountains rising on all sides, that I planned a succession of treks into the deep Mani to see for myself the landscapes that Paddy had described so lovingly in his book.

To my surprise, the more I walked in the cactus-haunted hills, through spires of yellow verbascum and the seed heads of dried grasses as straight as miniature cedar trees, the more I found that the wildness of the Mani reminded me less of the bucolic Mediterranean than the bleakly beautiful mountains of the north-west frontier of Pakistan. For both the turbulent Maniots and the Pashtuns have an ancient tradition of blood feuds, which has led them to live in the fortified towers that are still the dominant architectural feature of their regions. In both, every man is a chieftain, and every farm a fort.
Tourism bounces back

“In these contests,” wrote Paddy, “the first blow was never struck without warning. War was formally declared by the challenging side. The church bells were rung: We are enemies! Beware! Then both sides would take to their towers, the war was on, and any means of destroying the other side was fair.” These included, apparently “bombarding them from above with boulders and smashing their marble roofs; so the towers began to grow, each in turn, during periods of truce, calling his neighbour’s bluff with yet another storey.” Paddy was fascinated by the proximity of the combatants in these feuds, “the equivalent, in distance, of the cannonading of Brooks’s by White’s, Chatham House by the London Library . . . or of the Athenaeum and the Reform by the Travellers’.”

There was apparently only one thing that could reconcile the warring hamlets of the Maniots: “a Turkish inroad, when, suddenly, for brief idyllic periods of internal harmony, their long guns would all point the same way.”

Such a moment came in 1826 when the Ottoman commander Ibrahim Pasha arrived, intent on crushing the resistance of the most independent-minded of all the Sultan’s Greek subjects. From the point of view of the Sublime Porte, the Maniots were merely pirates and brigands, and a thorn in the flesh of honest Turkish shipping going about its business in the Mediterranean. The Maniots had a rather different view of themselves: as the flower of Hellenic chivalry and the last pure-blooded descendants of both the ancient kings of Sparta and the emperors of Byzantium. Both sides were spoiling for a fight; and they got it.

To block Ibrahim’s advance, the Maniots concentrated their forces at Verga, the entrance to the desolate passes of the Taygetus mountains, in the extreme north of the region. Ibrahim therefore decided instead to launch a surprise marine attack on Areopolis, far to the south, which the patriots had left undefended. Ibrahim successfully landed 1,500 Egyptian troops on the shingle beaches in Diros Bay, south of Kardamyli, a magnificent natural cauldron where the peaks of Taygetus dip down to the blue waters of the Aegean, so clear, even today, that it is said you can still see the wrecks of galleys lying on the seabed below. Soon the Ottoman troops were marching inland, up the coastal paths, looting as they went, and heading for the walls of Areopolis.

Ibrahim Pasha had achieved complete surprise; but he had not taken the women of the Mani into his calculations. As the church bells pealed from their Byzantine belfries, several hundred women who had been out in the fields harvesting converged on the Ottoman rear with their sickles and farm instruments. In an indignant song still sung in the region, the woman allegedly declaimed:

O Turkish men, have you no shame
To war with womenfolk?
We are alone, our men are gone
To fight at Almiro.
But we with sickles in our hands
Will lop off your heads like corn!

Within a few hours, those Egyptians who lived to tell the tale were running headlong for their boats. Only a third were rescued; the rest fell where they stood on the beach. That, at least, is the version of the story they tell today in the Mani.

Modern travellers to the region may end up feeling a certain sneaking sympathy with the Egyptians; for the descendants of those feisty Maniot women are still alive and well, and today they guard the keys to their village churches as determinedly as they once defended Areopolis. As Paddy knew, and wrote about so beautifully, the Mani contains some of the most ancient and Byzantine chapels and basilicas in Greece, dotted around olive groves above steep coastal cliffs; but any traveller who wants to get inside and see their celebrated frescoes must first find the guardian grannies who keep the keys, and then persuade them to disgorge them and to let you into their carefully tended holy places.

Watchtowers in the town of Vathia

Watchtowers in the town of Vathia

This can be more difficult than it sounds. On one occasion, trying to get inside the famed 11th-century church of the Taxiarches at Charouda, I was directed to the door of Antonia, a black-clad matriarch in widow’s weeds who looked so ancient she could almost have lost her husband to Ibrahim Pasha’s Egyptians. Yes, she said, with deep suspicion in her voice, she did hold the keys, but no, this was the time of her lunch. I should come back in an hour. I did as I was bid, only to find she was taking her siesta. Deciding to walk along the coast until she woke, I returned only to be told she was unable to take me to the church as she was feeding her great-grandchildren. Then she was putting out fodder for her donkeys: wouldn’t I like to come back tomorrow morning?

It was well past 7pm when, after a lot of begging and pleading, a huge primeval key was finally, reluctantly flourished and I followed the bent-backed matriarch to the church on the edge of the village. The sun was now slowly sinking over the hills at the end of a hot day; from the higher slopes, the tinkle of unseen goat bells cut through the background whirr of cicadas as shepherds led the flocks back for their night.

The church — in truth it was barely larger than a chapel — was very small, but very beautiful. It had a domed, tiled roof and round arcaded windows, whose brick tiles were made from fired red mud. It lay in a rocky graveyard dotted with oleanders and ilexes at the edge of olive groves, and was built from stone the colour of halloumi cheese. Only when Antonia finally ground the key in the wards of the ancient lock, and had crossed herself several times, was I allowed to step inside.

Nothing prepares you for the darkly melancholic and baleful beauty of the wall paintings of the Mani churches; but remote as it is, the church of the Taxiarches at Charouda is especially fine. The anonymous painter had a particular quirk of giving some of the saints a black triangular lower eyelid. The intention seem to be to enhance their gaunt asceticism and melancholic sadness, but I thought it gave them a look oddly like the buffoonish Pierrot in the Commedia dell ’Arte.

A grim-faced Christ Pantocrator glowers down from the decorative brickwork of the dome, hands opened and upheld as if in surprise at the wonders of his own creation. Below him, ranks of cherubim and seraphim stand with their wings raised. A phalanx of prophets line the lower drum; nearby stylites preach from pillars; and patriarchs in monochrome vestments like Malevich abstracts grip their bibles and proudly display the instruments of their martyrdom. More martyrs have their flesh ripped and eyes gouged out over the walls of the nave, the background landscapes to both virgins and saints as high and mountainously craggy as the Taygetus themselves, the men and the jagged rocks of the mountains sharing a clear affinity, and a similar angularity.

The most beautiful images of all lay at the west end, near the porch where the matriarch Antonia still stood silhouetted by the last rays of the sun. That light, reflecting off the foot-polished stone floor, illuminated a pair of youthful Byzantine soldiers: a young, swaggering St George astride his white charger, all glittering armour and levelled spear, while standing at ease slightly to his left, leaning on his javelin, was a swarthily beautiful St Demetrius with a glistening mail coat, a bow slung over his shoulder and sporting a single, rather dandyish earring; the very model of Maniot resistance to the encroachments of the outside world.

Looking both at Antonia, and the St Demetrius, it was no longer impossible to believe the old legends: that these remarkable, tough, independent Maniots really were the last descendants of Spartans who took refuge here when their hegemony beyond the Taygetus was finally destroyed, their struggle finally over.

Read more about where William Dalrymple stayed here.

Audible

2014 Stavros Niarchos Foundation Lecture at Yale University: “Patrick Leigh Fermor In Greece”

Artemis Cooper presenting the 2014 Stavros Niarchos Foundation lecture

Artemis Cooper presenting the 2014 Stavros Niarchos Foundation lecture

Artemis Cooper giving the 2014 Stavros Niarchos Foundation Lecture at Yale University.

A video is available on YouTube here or via the embed below. The blurb introduces things as follows:

Patrick Leigh Fermor’s first travels in Greece took place before the outbreak of the Second World War, and he already spoke fluent Greek by the time he was parachuted into occupied Crete in 1942 to help the Cretan Resistance, which in May 1944 resulted in the abduction of a German general. Leigh Fermor settled in Greece in the 1960s, and lived there until his death in 2011. His books Roumeli: Travels in Northern Greece and Mani: Travels in the Southern Peloponnese are two of the best travel books in the English language. The talk is about his life and friends in Greece, and how much the country meant to him.

Mark Granelli brought this video to my attention and had this to say:

It is quite fascinating, and includes a beautiful extract from ‘Mani’ where Paddy is accompanied by dolphins on a ferry trip.

It focuses a lot on Paddy’s time in Crete.

The Q&A at the end turns up some personal information about Paddy and also references Olivia Manning and Fitzroy Maclean.

Salmagundi Magazine special feature on Patrick Leigh Fermor

Paddy at BaleniI am grateful to Marc Woodworth for sending me this feature about Paddy posted in Salmagundi Magazine.

It includes excerpts from three essays:

  • Joanna Kavenna on memory and the past in A Time of Gifts
  • George Prochnik on Byzantium and style in Mani
  • Bina Gogineni on exoticism in The Traveller’s Tree

Plus exclusive online contributions from Nick Delbanco, Nick Delbanco, our very own Nick Hunt (Following Fermor in Romania)
and a Micro-Anthology selected by Michael Ondaatje, Thomas de Waal, Michael Gorra, Andrew Eames and photographs of Kövecses by Andrew Hillard.

Download the pdf here … salmagundi magazine

Bradt Travel Guides’ revised version of Greece:The Peloponnese by Andrew Bostock

Bradt Guide to the Peloponnese by Andrew Bostock

Bradt Guide to the Peloponnese by Andrew Bostock

Continuing the Peloponnese travel theme it would be remiss of me not to mention that the nice people at Bradt have let Andrew Bostock update his excellent guide to the Peloponnese just in time for your 2013 excursion. And rather like the paperback of An Adventure it shows a certain house. I think that Andy may have had some influence on this choice of cover!

Andy also gets in touch with me quite often, and it was he, working in close collaboration with that other Karmayli expert, John Chapman, who first picked up on the filming of the movie Before Midnight at Paddy’s house. Andy has lived in the area with his family so he is no fly-by-night travel guide author. I have a copy. I know the Peloponnese pretty well having holidayed there on three occasions. There is a lot to see and it is by no means all about the Mani, or Paddy. There is so much more. If you would like to get in touch directly with Andy about travel to the area his details are here.

Andrew Bostock: +44 7961 061 052 (cell)
Twitter: @andybostock

You can buy Greece: The Peloponnese (Bradt Travel Guides) at this link, and the blurb tells us this:

The Peloponnese contains a huge diversity of landscape, everything from the classic image of Greece – white sand beaches and sleepy white-washed villages through to the ancient sites of Olympia and Mycenae, Byzantine churches and medieval fortresses; towering mountains for hiking and skiing, olive groves which produce the finest fruit, and mountains covered in flowers.

In recent months Greece has undergone a well-publicized economic meltdown. However cheaper prices and the expense of long-haul tourism has actually led to an increase in visitor numbers. The government is keen to invest in tourism as a way to reinvigorate the country. Specific examples of this are the new year-round flights from Athens to Kalamata and a major new international spa / golf resort in Messinia.

Greece is no longer an ‘easy’ travel destination and there as been an increase in the trend towards independent travel, away from package tourism. The new edition reflects this with reviews of the plentiful new accommodation, details of independent tours and activities as well as excellent coverage of off-the-beaten-track sites and attractions.

Greek expert, Andrew Bostock leads travellers to hidden villages, sophisticated towns, and to other top attractions – one of Europe’s most spectacular train journeys and the tower houses of the famed Mani. He explores the lesser-known sites and attractions, including details of places not covered anywhere else. The guide is packed with information on agritourism spots, eco-conscious boutique hotels, camping under the stars, rustic tavernas and locally grown produce. Traditionally the tourist season in Greece is the summer, but this is fast changing, with savvy travelers discovering the wild flowers of spring, the joys of the olive harvest in late autumn, and skiing opportunities during the winter. Bird life and marine life are also a huge attraction for visitors to the Peloponnese. The guide also focuses on the colourful life of the traditional ‘paneyiri’ and those who still embrace the Greek spirit of ‘philoxenia’.

Related article:

The movie Before Midnight, featuring a certain house in a starring role

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 10

The last of Christian Peter’s walks. In my view you can’t go wrong if your walk involves visiting a monastery. I would like to thank Christian for all the work he put into this series. I am sure that he would welcome your feedback and comments in the Comments section below.

10  . Patmos

One of the most impressive and intense places in Greece for me is the atrium of the Monastery Agios Ioannis o Theologos in Patmos . The Monastery of St. John the Divine is a fortified Orthodox monastery dominating the highest part of the Chora of the island. It was and continues to be one of the most important monasteries in Greece.  Its interior is like a  muli-leveled building complex with  interior courtyards, colonnades and narrow corridors. From time to time Paddy used to live in monasteries for a while. In the introduction of his monastery-book “A Time to Keep Silence“ (1957) he describes longer visits to Wandrille de Fontanelle, La Grande Trappe and the monasteries of Cappadocia, but also mentions that he has visited all the important monasteries of the Greek word. You can about his visits to Mount Athos and monasteries of Meteora, and I am pretty sure he has been to Patmos.

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 9

The ninth of Christian Peter’s walks and still in the Dodecanese.

9.     Astypalaia /Dodecanese

Situated between the Cyclades and the Dodecanese the “forgotten” island of Astypalaia  is even today calm and traditional.  Having the form of a butterfly a small band of land of only 200 meters separates the island into two sections: Exo Nisi and Mesa Nisi.  A day-long hike over the entire island starting in Chora ( Exo Nisi) brings you to the remote, almost abandoned village of Exo Vathy (Mesa Nisi). Only a few people live here leading a very simple and traditional island life as fisherman and farmer. One old couple runs a tavern.

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 8

The eighth of Christian Peter’s walks.

8.     The “Italian Road” from Pothia to Vathi – Kalymnos

Paddy must have widely been travelling the Dodecanese, as he was so obsessed by pebbelstone mosaics. The islands of the Dodecanese offer a great variety of fantastic pebblestone mosaics. Nearly every old church has one  and the Kalymnian capital of  Pothia has one of the largest and most beautiful. Recently Kalymnos became a world class destination for rock climbers, but there are a number of wonderful walks on the island, too. The best known one is the walk on the old Italian Road (Italikós drómos) from the vibrant city of Pothia into the fertile valley of Vathys. Those who really want to follow Paddy’s footsteps  should visit Kalymnos for Easter celebrations. What you will find to happen in the streets of and on the mountains around  Pothia on those days is really Paddy-like: The local people like to celecrate the holy days with dynamite, this is why during those days people tend to call their island the “Aegean Afghanistan”.

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 7

Back to Crete for the seventh walk in Christian Peter’s series.

7.     From Sougia to Agia Roumeli – Crete

a.       One of the wildest and most difficult walks on Crete is the one along the coastline  between Sougia and Agia Roumeli. But it is rewarding as it offers not only a great variety of natural beauties, but also access to the Gorge of Tripiti which as “a clandestine landing point for the whole of the area” played a major role during the occupation. In his book “The Stronghold” Xan Fielding describes it  as “a needle-narrow opening in the littoral  ramparts, which travelers until recently believed to be inaccessible  except by sea” (p. 55). The Tripiti gorge marks the border between the provinces of Selino and Sfakiá and offers insights into the “highland labyrinth” above Koustogerako which during WW II “was probably the only habitable area in the whole of Crete  which could have sheltered in safety such a vast clandestine concourse as ours had been (Xan Fielding; Hide and Seek, p. 167).

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 6

The sixth of Christian Peter’s walks.

6.     From Christos Raches to Manganitis  – Ikaría

This unknown, but astonishing walk starts in the mountain village of Xristos Raches in Western Ikaria. The day long walk first heads towards the high plateau of Ammoudia from where you follow a steep, but paved kalderimi into the fishermen´s village of Manganitis.  As Ikaría even today does not have too much tourism, walking on the island still feels like the expedition into the everyday island life of former times .

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 5

The fifth of Christian Peter’s walks. I hope that you are enjoying this; the scenery is stunning.

5. Amorgos/Cyclades

a. The longest hike on the Cycladic island of Armogos is also the most beautiful. The old connection between the main island villages of Chora in the Island centre and Aigiáli in the North is a one day walk on old, partly paved paths with fantastic bird eye views upon the whole island. Along the way lies the monastery of Chozoviótissa which is among the most important monasteries of the Aegean Sea.

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 4

The fourth of Christian Peter’s walks.

4.   Sfakián Monopatia – The old connection between Asi Gonia and Anopoli  – Sfakiá/Crete

How often did Paddy, Xan Fielding and George Psychoundakis walk the old Monopati from Asi Goni via Askifou to the Sfakian mountain villages of Anopoli and Agios Ioannis? Did that connection play a major role during the Cretan resistance?

The mountain region of Sfakiá is the heartland of what Xan Fielding called The stronghold.  Here, in the Highlands of the White Mountains, Crete until today remained as pure and unspoiled as it always was. The walk starts in the birthplace of the Cretan Runner, George Psychoundakis, then reaches the hamlet of Goni in the Askifou-Plateau and continues via to Kali Lakki to Anopoli. Next to Anopoli, on the ridge of the Aradena Gorge, lies the ruined village of Aradena, where in 1947 a vendetta broke out and made its inhabitants leave. Aradena is as well the imaginary village, where Ioanna Karystiani’s novel Suit in the earth (Greek title: Koustoumi sto choma) might take place. Karystiani’s family is originally from Askifou. Following the bridge over the gorge, the walker continues to Agios Ioannis, Crete`s highest mountain village. A little bit underneath of Agios Ioannis you can find a place called Sellouda, which for me is the most impressive place in entire Crete. With the Levka Ori in your back you stand thousand meters high above the sea spotting Africa on the horizon. Although the cliffs seem impossible to pass through you can easily follow a stone paved Kalderimi through steepest terrain which leads you almost thousand meters difference in altitude down to the church of Agios Pavlos on the beach. From there you can continue your two days trek to Agia Roumeli.

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Books about the region:

Xan Fielding (1954): Hide and Seek. Secker and Warburg.

Xan Fielding (1955): The Stronghold: An account of the four seasons in the White Mountains of Crete. Secker and Warburg.

Ioanna Karystiani (2000): Suit in the earth (German title: Schattenhochzeit)

Loraine Wilson (2002): Crete. The White mountains. A walking and Trekking guide. Cicerone

Peter Trudgill (2008): In Sfakiá. Passing time in the Wilds of Crete. Lycabettus Press.

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 3

The Third of Christian Peter’s walks.

3.   The village of Olymbos in the North of Karpathos

There is no village like Olymbos in the entire Agean Sea. I don`t know if Paddy ever visited the Dodekanese Island of Karpathos and the vilalge of Olymbos. If not he missed an important impression.  A village without bakery due to the fact that the Olymbites still use their old ovens in the gardens, a village where the women still wear their old costumes, a village where byzantine traditions (Songs, easter Tuesday) are still alive.

The old Monopati from Spoa to Olymbos is one of the most impressive walks I have ever made on Greek islands. It is partly paved, especially the last part leading into the village of Olympos is fantastic. If you want to understand what life was like in this remote village in former times, you need to get there by walking the old path.

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 2

The second of Christian Peter’s walks.

2.    The old Kalderimi to the village of Altomirá – Exo Mani

a.    I have often been thinking which way Paddy and Joan might have taken when they first walked over the Taygetos Mountains into the Mani in summer 1952.  Starting in Anavriti they probably headed towards Pighadia and Altomirá. That means they must have come down the fantastic Kalderimi from Altomirá to Kambos. For me this is even today the most impressive way to reach the Mani.

Remote places and landscapes in Greece – Walks in the footsteps of Patrick Leigh Fermor: Part 1

Paddy is quite popular in Germany, there being a lot of interest in his work about Greece, and of course A Time of Gifts is set mostly in Germany. His is also famous for the Kreipe kidnap. We have many fellow blog readers from Germany, but one of the longest is Christian Peters who lives in Koln but has a passion for Greece. He sent me a series of short articles about walks in a variety of locations in Greece, with accompanying photographs. If you are thinking of what to do for your holidays in 2013, I hope that Christian’s articles which I will publish over a period of weeks will help to inspire you. Of course some are in the footsteps of Paddy. Over to Christian for an introduction …..

When I traveled in Greece this summer (2012), the consequences of the crisis were capable everywhere. The decrease in this year’s incoming tourism might create the need for a bit of stimulation. 🙂  And the remote places and landscapes, Paddy talks about in the introduction of his Mani-Book, are still there. They probably changed a lot during the last sixty years, but are still worth to be visited.

If you are interested I would send you a couple of ideas (8-10 walks and places with short texts and two or three photos each) of remote walks, places and landscapes in Greece I have been traveling during the last years. The places and walks are partly related to Paddy and his life, but there will be some, which I only assume, he would have liked.

1.    Walk one – Kalderimi in Western Crete – Selino

a.    Koustogerako, the village of the Paterakis Family in the Selino Eparchía of Western Crete, played a major role in the Cretan resistance during WWII. On the 29th of September 1943 it was completely burnt down by the Germans. Paddy visited the village a couple of times because Manoli Paterakis, one of the Kreipe abductors, was a close friend of him. Today, one of the most fascinating Kalderimi-Walks in Western Crete leaves the Omalos Plateau from Agii Theodori to the west, then descends into the Irini Gorge (Faragi Agia Irinis) until it reaches the main road heading towards Sougia between the villages of Moni and Livadas. From there it is only about an hour ascent up to Koustogerako.

I felt like staying there for ever

A short extract from Paddy’s masterpiece about Greece, the Mani, and a lost way of life. And of course he did stay.

Beyond the bars of my window the towers descended, their walls blazoned with diagonals of light and shade; and, through a wide gap, castellated villages were poised above the sea on coils of terraces. Through another gap our host’s second daughter, wide-hatted and perched on the back of a wooden sledge and grasping three reins, was sliding round and round a threshing floor behind a horse, a mule and a cow – the first cow I had seen in the Mani – all of them linked in a triple yoke. On a bank above this busy stone disc, the rest of the family were flinging wooden shovelfuls of wheat in the air for the grain to fall on outstretched coloured blankets while the husks drifted away. Others shook large sieves. The sun which climbed behind them outlined this group with a rim of gold and each time a winnower sent up his great fan, for long seconds the floating chaff embowered him in a gold mist.

The sun poured into this stone casket through deep embrasures. Dust gyrated along the shafts of sunlight like plankton under a microscope, and the room was full of the aroma of decay. There was a rusty double-barrelled gun in the corner, a couple of dog-eared Orthodox missals on the shelf, and, pinned to the wall above the table, a faded oleograph of King Constantine and Queen Sophia, with King George and the Queen Mother, Olga Feodorovna, smiling with time-dimmed benevolence through wreaths of laurel. Another picture showed King Constantine’s entry into re-conquered Salonika at the end of the Balkan war. On a poster, Petro Mavromichalis, the ex-war minister, between a pin-up girl cut-out from the cover of Romantzo and a 1926 calendar for the Be Smart Tailors of Madison Avenue, flashed goodwill from his paper monocle. Across this, in a hand unaccustomed to Latin script, Long live Uncle Truman was painstakingly inscribed.

I felt like staying there for ever.

From Mani: Travels in the Southern Peloponnese, by Patrick Leigh Fermor which you can buy here,

Order Paddy’s biography Patrick Leigh Fermor:An Adventure by Artemis Cooper here.

‘A Tonic and a Treat’ – Patrick Leigh Fermor: A Celebration

Last Wednesday over seven hundred people packed out the main lecture hall of the Royal Geographic Society to hear Colin Thubron question Artemis Cooper about Paddy’s life in a joint event with the Royal Society of Literature, of which Colin is President. The event, sponsored by Art Tours, was entertaining, if perhaps a little shorter than one would have liked.

By Tom Sawford.

Artemis revealed how difficult it was to get Paddy to talk about his life, his experience and friends until on one visit to Kardamyli after Joan’s death she found every horizontal surface of his study, including the floor, covered with groaning piles of books, magazines, journals and personal correspondence (and I daresay some unpaid bills!). She offered to help him create some order and in doing so she started to ask questions: ‘I didn’t know that you had met so-and-so’ at which point Paddy, always happy to be distracted from his Herculean struggle with Vol Three, would brighten and start to expound on this outing, that visit or other glittering adventure. It was in this way that Artemis was able to make notes and get behind what she describes as the ‘waterfall’ of banter when asked directly to talk about his life.

It appears also that Paddy was perhaps always happy to receive visitors and recount old stories as he suffered both from bouts of personal depression and writer’s block.  Colin Thubron described the time that he and Paddy went for a long swim at Kardamyli and when well away from the house and others he talked to Colin about his struggles with this block, and his inability to understand this and his state of mind. Artemis said that Paddy was not ‘an intellectual’ and did not think too deeply. He was a ‘polymath’, less inclined to ask why, but rather dazzled, entertained, and fascinated by outward appearances and the sheer joy of being.

The other great excuse for not working was his correspondence with the three great correspondents of his life: Debo Devonshire, Annie Fleming and Diana Cooper. They were an ‘entertainment’ which Paddy approached with great enthusiasm and which ‘took up a lot of his time’ enabling him to divert his energies from his other writing.

We were also given a glimpse of The Broken Road (Vol Three) which is being edited jointly by Artemis and Colin. As the biography tells us it will be based almost entirely on the work that Paddy wrote in the early sixties for a US magazine ‘A Youthful Journey’ which was meant to be no more than 5,000 words. Once Paddy had reached the Romanian-Bulgarian border in this retelling he was suddenly gripped by a passion to write down this story in great detail, the result being over 50,000 words about the leg from Romania to Istanbul, although Colin said that the account does not include his time in the City.

Colin told us that this is difficult work, and they are being most careful not to add their own words. There is much work to be done but as I was told last week by Roland Phillips from John Murray, the publication date remains September 2013, not far short of the 70th anniversary of the start of Paddy’s youthful journey.

During the question and answer session a variety of subjects were raised from the condition of the house at Kardamylli – things are moving forward – to whether or not the Horace ode recitation actually did happen – yes it did but it may not have been on Mount Ida.

When it came to the last question a rather large man, wrapped in colourful braces stood up and shouted out that this was not a question but a statement, a Traveller’s Tribute. I think I could hear the whole audience groan quietly in apprehension, but all turned out well. Holding up a copy of the biography he boomed ‘This book is nothing short of a tonic and a treat! It kept me sane today during a long and boring train journey from Scotland!!’ Cue laughter and applause.

The event was sponsored by Art Tours who are arranging a tour of Patrick Leigh Fermor’s Mani in the spring of 2013. Places are limited and already about half are taken so if you wish to go on this tour, which will include Artemis Cooper as a guide and key speaker, please make contact with Edward Gates at Art Tours as quickly as you can edward[at]arttoursltd.com

In addition Art Tours have 15 signed copies of the biography Patrick Leigh Fermor: An Adventure to give away in a competition. To have a chance of winning, please send your Name, Postal Address, email address, and telephone number to Edward. Winners will be contacted in early November.

If you would like to know more about the Mani tour please download this pdf or contact Edward Gates at Art Tours Ltd on +44 (0)207 449 9707 or by email edward[at]arttoursltd.com

 

The ultimate pilgrimage to Paddy’s house in the Mani?

Paddy with Goat! Photo by Joan Leigh Fermor, from the Trustees of the National Library of Scotland

If you wanted to make a trip to see Paddy’s house at Kardamyli and to visit the wider Mani this may be the one for you. In the company of Paddy’s biographer, Artemis Cooper, this six-day tour will take in Mistra, Monemvasia, and Paddy’s house in Kardamyli, as well as other sites in the Mani.

This tour has been arranged by Art Tours (sponsors of the Royal Geographic Society event about Paddy 24 Oct) and is designed to celebrate Paddy’s life, whilst exploring the dazzling, rocky region he loved best in Greece, and where he and Joan lived for over forty years.

It is a celebration of his life and travels and is planned to run from 7-12 May 2013. Artemis will bring a unique insight into Paddy’s life and personality, and to cover the wider history of the region she will be joined by art historian James McDonaugh.

If you would like to know more please download this pdf or contact Edward Gates at Art Tours Ltd on +44 (0)207 449 9707 or by email edward[at]arttoursltd.com

John Chapman’s ManiGuide

The publication this week of the article by Kevin Rushby about his search for the memories of Paddy and Bruce Chatwin in the Mani prompted a degree of comment; not much of it particularly flattering. There were many unfavourable comparisons made with the excellent work of John Chapman in his ManiGuide website.

Back in 2010 I did a feature about the Guide saying ‘Having had a quick scoot around it certainly looks very comprehensive, so if you are planning on a visit to the Mani you may wish to use it…  the content looks very useful indeed.’

Following the comments about Rushby’s article I thought it would be a good idea to bring John’s work back to your attention, particularly as he has now become a regular contributor to the blog, having provided some excellent photographic material and articles.

As I said ‘ …. if you are planning on a visit to the Mani you may wish to use it.’ In fact I would recommend it. Visit —> Mani: A Guide and History by John Chapman

Related articles:

On the trail of Patrick Leigh Fermor in Greece

John Chapman at Kardamyli

John Chapman’s photographs of Paddy at home in Kardamyli 2005

On the trail of Patrick Leigh Fermor in Greece

This is a little bit toe-curling but as I always say we place all things Paddy related here …  for the record!

Ahead of a new Patrick Leigh Fermor biography, Kevin Rushby visits the Mani peninsula, home of the great man and unsung resting place of another British travel writing giant, Bruce Chatwin.

By Kevin Rushby

First published in the Guardian 28 September 2012.

Kardamyli, on Greece’s Mani peninsula, was home to Sir Patrick Leigh Fermor.

Old Mr Fotis turned my question over in his mind while sipping his morning coffee. Below the veranda some youths had been playing noisily on the harbour wall, but now they all dived into the turquoise sea and set off on the long swim to the rocky island in the bay. It had a fragment of crenellated wall on top of it, the ruins of a Venetian fortress. Fotis watched them go, half-smiling.

“We do seem to attract a lot of writers,” said the old man eventually. “But that’s a name I don’t remember.”

“Bruce Chatwin, Baroose Chit-win, Chaatwing.” I tried a few variations but none struck a chord. “His ashes are scattered somewhere in the hills.”

“No, I never heard of him.”

“What about Sir Patrick Leigh Fermor? You must know about him.”

I’d first heard of Kardamyli because of Leigh Fermor, who had made the place his home. I’d always hoped we might meet, but then the grand old man of British travel writing had died in June 2011 (leaving the literary world praying that he had finished the final volume of his Time of Gifts trilogy). I’d come to the Mani on a sort of literary homage, hoping to find a little of the magic that had attracted first Leigh Fermor and later Chatwin.

The old man shook his head. “No, I don’t think so. There was a writer called Robert. Now he was famous – cured himself of cancer by walking around Crete. [Former South Africa cricketer Bob Crisp wrote of his walk around Crete in the 1970s.] He was very famous.”

This felt all wrong. Was I in the right place? How annoying that the locals should raise this unknown above the two giants of travel literature.

Fotis leaned back and shouted in Greek to his wife in the kitchen. She came through, cloth in hand. “Robert Crisp,” she said, smiling. “What a wonderful man! So handsome! I remember him sitting up at Dioskouri’s taverna drinking and talking with Paddy. They were always laughing.”

My ears pricked up. Fotis’s face underwent a transformation. “Ah Paddy! That is him – your English writer. Of course, Paddy – or Michali we called him. Yes, Paddy was here for years and years. When I was young we used to say he was a British spy and had a tunnel going out to sea where submarines would come.”

It didn’t surprise me. Leigh Fermor had been, by all accounts, extremely old school, endlessly curious and an accomplished linguist – all well-known attributes of British spies. He produced a clutch of good books and two classics of the genre, A Time of Gifts and Between the Woods and the Water, detailing his journey as an 18-year-old on foot to Constantinople.

“Did you see a lot of him?” I asked.

Fotis shrugged. “Sometimes. He liked to walk a lot. Now Robert Crisp – I used to see him. What a character!”

“Is Paddy’s house still empty?” I persisted. “I heard it was now a museum.”

Fotis shook his head. “No, no. He left it to the Benaki Museum in Athens (benaki.gr) and they’re supposed to turn it into a writers’ centre. My guess is nothing will happen for a while.”

I could hardly complain about Greek tardiness: Leigh Fermor himself had taken 78 years over his trilogy, and even then no one seemed very sure if he had completed the task. There was, I decided, only one way to get close to the spirit of these colossi of travel-writing: to walk.

“Which paths did Paddy like best?”

Fotis fetched a map and gave me directions. It was already hot when I left him on his veranda. I could see the youths lazing on the harbour wall again, tired by their long swim. Was this really the time of year for walking?

I headed through the ruined village, as instructed, and found a narrow steep path rising up the hillside. Before too long I came across the stone tomb that locals say is the grave of Castor and Pollux, heavenly twins and brothers to Helen of Troy. Kardamyli is mentioned in Homer’s Iliad as one of the seven towns that Agamemnon gave to Achilles.

Sweat was pouring off me now, but I kept going. Scents of thyme and sage rose from the undergrowth. Fotis had said there were lots of snakes up here, but I didn’t see any. The views of the bay below, however, were becoming more and more magnificent.

The Mani is the middle finger of the three-pronged southern Peloponnese, a 40-mile long skeletal digit that was almost inaccessible, except by sea, until recently. When Leigh Fermor first came here in 1951, it was by a marathon mountain hike across the Taygetus range, whose slopes seem always to be either burned dry by summer sun, or weighted with winter snow.

Tower in the Taygetus mountains. Photograph: Kevin Rushby

The people here were different. For a start they had turned vengeance into a lifelong passion, building war towers to threaten their neighbours and generally making life on a stony mountain even grimmer than it needed to be and clinging to weird atavistic beliefs. No wonder that in the 1950s most of the younger people abandoned it for places not as badly infested with saltwater ghouls and blood-sucking phantoms – Melbourne and Tottenham were particularly popular.

Fotis himself had been one of them, settling in Australia for many years before coming home and opening a hotel. Nowadays some parts of the Mani are thick with holiday homes and development, but Kardamyli remains delightfully quiet and understated, the sort of Greek village where old widows in black sit out every morning watching the world go by.

Having reached a good height on the mountain I started to follow the contours, dipping in and out of the shade of walnut trees and cypress, drinking clear cold water from a spring. Further on I came to the village of Proastio, where Fotis had told me there was a church for every family, the ancestors having been sailors, and very superstitious. At the gorgeous little basilica of Agios Nikolaos in the main street I got the priest to come and unlock the door, revealing a gallery of perfect 17th-century Byzantine murals.

Byzantine murals in Proastio church. Photograph: Kevin Rushby

I tried the name Chatwin on him, and wondered how to mime death, cremation and scattering of ashes. But the Orthodox Church does not approve of cremation and his face told me I would not get far.

Returning to Kardamyli by a steep cobbled donkey trail, a kalderimi, I passed Fotis’s veranda once again.

“Who was that writer?” he called. “My wife thinks she knows.”

Anna came out. “Paddy himself scattered the ashes of a writer friend of his, up in Exochori.”

That was where I had just been walking, only higher. Next morning I started much earlier and with a water bottle. Fotis was already up and about when I passed his house.

“Exochori is my home village,” he said. “But what you see now is just old people up there. The old Maniati culture is gone. We used to grow silkworms and our mothers made all our underclothes from it. Can you believe it? We were peasants in the most remote part of Europe, but we wore silk.”

He tried to give me directions to the church, but it got so confusing that I just pretended to understand and resolved to ask along the way. As it happened, this was a useless strategy since the few old people I bumped into spoke no English, and my phrasebook was inexplicably silent on the important line, “Where are scattered the remains of the travel writer?”

In the end I came across a small white-washed shrine with a view of the sea. There was just room to enter, and inside a votive candle burned on a tray with some fresh flowers. A white dog appeared. I elected to call it the Chatwin Church. After a few minutes of contemplation I set off again, southwards past one of the war towers, a gorgeous forest monastery and finally the unspoilt hamlet of Castania, where the taverna owner marched me into the kitchen, pointed out the various dishes and then served a vast quantity of delicious food with a jug of rough wine. It took several strong coffees to get me moving again for the long tramp home.

Back in Kardamyli late that afternoon, Fotis was keen to hear of my walk, but he scoffed at my description of the Chatwin Church. “No, no! That is not it. Come on – I’ll take you there.”

“I’m a bit tired.”

“Good God, we’re not walking! In my car.”

Soon we were on a longer, twisting route. Fotis pointed out landmarks and patches of land that his family owned. I asked about his ancestors.

“The Mani was always where people came to hide,” he said. “Our family are said to have arrived when Byzantium fell to the Ottomans in 1453.”

“They came from Constantinople?”

He nodded. “Our family tradition is that we were clowns for the Byzantine emperor.” He smiled. “But I’ve no idea if that is true.”

He slowed the car down. “Look. This is where you turn off the main road, between the school and the cemetery.”

We pulled up in the shade of two pine trees then set off walking. We picked our way through some old stone houses, their walls overgrown with vines, their shutters closed.

“Holiday homes now,” said Fotis. “Exochori people working in Athens.”

Sunset above Kardamyli. Photograph: Kevin Rushby

Then we were on a grassy rill of land and I could see the church, a tiny Byzantine basilica, its rough stone walls and ancient pantiles crusted with lichens. Laid out before it was a wonderful tranquil panorama of the sea, its surface smooth as a sheet of silk. It was obvious why a traveller would want to come to rest here, overlooking the sea Homer’s heroes had sailed.

I stood there for a long time. Fotis was searching for the key to the church, normally left in a crack or niche, but there was no sign of it and we gave up. Back in the car, I asked Fotis to point out the house of Paddy Leigh Fermor and glimpsed a low pantiled roof almost submerged in trees on a crag next to the sea.

“Is there no way to see it?”

He shrugged. “It’s all shut up.”

“Is there a beach?”

“Yes – a tiny one.”

I memorised the spot. When Leigh Fermor came to the Mani he did some impressive wild swimming. To honour his adventurous spirit I felt I should swim around to his house and take a look. So next morning, before the heat of day, I entered the sea by the harbour and swam south down the rocky coast hunting for that tiny beach. I swam for what seemed a long time and had given up and turned back when I saw it: a little shingly beach with a single-storey house above. I swam closer until I could stand in the water.

It was a lovely place: deep verandas and stone walls under a pantile roof. Mosaics of pebbles had been made on a flight of steps. I called out but got no answer. The house was shuttered and quiet as though still in mourning. I waded up the beach and sat at the foot of the pebble path. I could see a colonnade with rooms off it, then a larger living room.

I thought of the years that Leigh Fermor had spent here: by all accounts he was a great host and storyteller. When I’d asked one old lady in the village if she had read any of his books, she’d laughed, “Why would any of us read his books? He told us all the stories himself!”

The last story had been that third volume of his epic walk across Europe, but he had never finished it, perhaps never would have. And now a great peace had descended on the place, a peace I didn’t want to disturb. I walked back down to the water and swam out into the bay. Without thinking, I found myself heading for the island of Meropi, the one that those youths had swum to. I would explore the ruins of that Venetian castle.

Order Paddy’s biographyPatrick Leigh Fermor:An Adventure by Artemis Cooper here.

Related article:

Chatwin and Paddy: In the Footsteps of Bruce Chatwin

Patrick Leigh Fermor in Greece – a talk by Artemis Cooper

Paddy’s biographer and good friend, Artemis Cooper, will talk about his life in Greece at the Gannadius Library in Athens at 7.00 pm on 24 May 2012. 

Full details of the event can be found here.

Biographer Artemis Cooper, who is preparing a biography of Patrick Leigh Fermor, will trace his life, experiences, and legacy in Greece from his early travels to the end of his life, on 10 June 2011. She will talk about what drew Patrick Leigh Fermor to Greece in the first place; his ‘participation’ in the Venizelist rebellion of 1935; his early travels in Thrace and Macedonia, and first encounters with the Sarakatsani; his experiences in the war on the Albanian front and Crete, as well as the post-war explorations of Greece that produced Mani and Roumeli. She will also touch on the Cyprus years; his friendship with George Seferis, George Katsimbalis, and Nicos Hadjikyriacos Ghika; how he and his wife came to settle in Kardamyli, and built their house with the architect Nicos Hadjimichalis; how the Greek translation of Mani was undertaken by Tzannis Tzannatakis, while he was in exile in Kythera under the Junta of the Colonels. She will also reflect on his position in the village of Kardamyli and how he is seen in Greece today.

PS – I have been told that there will be a webcast available after the event. I will post the details when I have them.